 Photo by Emma Brown cc: Emma Brown Photography “Creative resistance is a nonviolent weapon, but it hits hard. Music, theatre, painting, you can express yourself without shooting a single bullet,without causing any deaths. You just target people’s consciousness." - Yslem Hijo del Desierto (in Life is Waiting film) The promotion of culture and artistic expression have been vitally important to the Saharawi community since the onset of their struggle for independence nearly five decades ago. Throughout their history of conflict and exile from their homeland of Western Sahara, the Saharawis have used music, film, poetry, dance and other arts to raise awareness about their situation and aspirations, and to keep their identity alive. But as conflicts continue to erupt across the globe, causing people to flee, international media and aid agencies are scrambling to keep up. Today, a record 100 million people are displaced worldwide, according to the UN. The scale of loss to homes, livelihoods, families and communities is daunting and almost unimaginable. Amid soaring global humanitarian needs, the protracted crisis for the Saharawis is becoming buried under deeper layers of oblivion and political inaction. The widespread lack of knowledge of the Saharawi situation poses a serious handicap to their cause, as it makes it difficult for them to gain the support they deserve and to access platforms for their voices to be heard. For the estimated 200,000 Saharawis living in five refugee camps in SW Algeria, the extreme abnormality of their situation has inexorably been transformed into normality. The belief in a different kind of future, one where they can develop their potential and fulfill their dreams, grows bleaker by the day. As a London-based organisation that promotes and nurtures Saharawi artists, Sandblast has developed different strategies to reinforce Saharawi creative resistance and promote awareness and solidarity. Keeping alive a story that has stagnated for many years and engaging support are challenging missions, but we have remained committed and steadfast in our approach. Creative nonviolent resistance can take many forms, and it plays a crucial role in the Saharawis’ pursuit of self-determination. As the Saharawi rapper Yslem Hijo del Desierto put it in the brilliant 2015 film ‘Life is Waiting’: “Creative resistance is a nonviolent weapon, but it hits hard. Music, theatre, painting, you can express yourself without shooting a single bullet, without causing any deaths. You just target people’s consciousness.” Saharawis' methods of resistance are constantly being redefined and diversified thanks to the emergence of new digital spaces to voice their grievances and assert their demands. At Sandblast, we aim to tap into digital and non-digital platforms for Saharawi artists, musicians and creatives to share their art and their stories with the world. It is believed that about 70% of Saharawi cultural heritage has disappeared since Saharawis first fled to the refugee camps in Algeria. Today, a third generation of children are growing up more likely knowing the stories of Sleeping Beauty and Superman than their own traditional desert stories and know little about their homeland. Meanwhile, elders with real memories of life in Western Sahara are dying out and with them irreplaceable oral libraries of the past. Our Desert Voicebox project plays a vital role in countering this alarming trend. We train local refugee women to provide English and music education to over 70 primary school children in camp Boujdour. We also tap into local cultural resources like artists who can teach them about traditional music, and we have been devising activities to ensure the children speak to their elders to learn about their past. Finally, we aim to use our existing platforms and networks to showcase Saharawis that are using creative means to advocate for their culture and rights. Creative forms of nonviolent resistance have and will continue to shape the Saharawi resistance movement until a just and lasting solution is achieved. In spite of the immense risk and powerful oppression, Saharawis are increasingly gaining access to digital technology and online spaces to document their struggle and appeal to the international community for support. As we continue to grow our online presence and following, we hope to reach even more people with the incredible and varied art forms of the Saharawi people. Art has the power to make peace by addressing universal themes in ways that tap into our emotions and enable us to connect with our common humanity. We all have a role to play in fostering global peace. By standing in solidarity with Saharawis living under Moroccan occupation, in the refugee camps, and in the global diaspora, we can actively support their struggle for equality and human rights by sharing and promoting their art, from past, present and future generations.
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Sandblast to lead first-of-its kind study into UK-based Saharawi refugee and diaspora community8/8/2022 Sandblast is delighted to have been selected as a recipient of this year’s National Lottery Community Fund to carry out research about the UK-based Saharawi diaspora.
Saharawis are the indigenous people of Western Sahara - a former Spanish colony that has been under Moroccan occupation since 1975. Today, Saharawis live divided among the occupied territory south of Morocco, in the refugee camps in southwestern Algeria, and in the diaspora across Europe and predominantly in Spain. There is a small but relatively hidden and underserved Saharawi community in the UK. Thus, the purpose of this first-of-its-kind research project is to assess and understand the demographics of the UK-based Saharawi community, with a particular focus on women, the elderly, those in poor health and/or suffer from language barriers in the Greater London area. Our aim is to identify the most important challenges and issues facing these communities, as well as their needs and aspirations. We will use this information to respond to these needs and aspirations through future partnerships and activities with other UK groups and organisations, and to develop a platform for community members to build connections, foster relationships and raise awareness of their shared needs, goals and challenges. Sandblast will recruit a gender-balanced team of researchers, who will collaborate on the design of the research framework and lead on its implementation between September - November 2022. The purpose of this research project is to:
About Sandblast Founded in 2005, Sandblast is a UK-based charity dedicated to building awareness and solidarity for the indigenous Saharawis of Western Sahara. We advocate for the Saharawis to achieve their UN-recognised right to self-determination. Through our skills-training, educational and artistic programs we seek to amplify their voices and bolster their threatened culture. Twitter: @sandblastarts Instagram: @sandblastcharity About the Community Fund The National Lottery raises money for good causes. There are 12 distributors of money raised by the players of The National Lottery, which funds projects and activities that transform communities, protect our heritage, and enrich lives through arts, sports and culture. Every year, the projects we back reach more than 5 million people and help tackle things that matter, such as mental health and loneliness, providing young people with skills and employment opportunities, supporting communities’ COVID efforts and much, much more. In 2020/21 the Fund awarded over £752 million to projects that bring communities in the UK together. Contact: Danielle Smith Founding Director, Sandblast danielle@sandblast-arts.org Dear friends and supporters,
Happy Easter! We hope you and your family are safe and well. Spring is finally upon us and the cherry blossoms here in London are giving us a reason to feel hopeful for the new season. We have an exciting Sandblast event coming up in June, as well as plenty of news and updates to share with you from Western Sahara, and from our work in the Saharawi refugee camps. As always, please feel free to forward this newsletter to friends, family and anyone else that wants to know more about what we do. Sandblast Event June 6, 2022 Please join us on Monday, June 6th at ActOne Cinema in Acton for the screenings of Sandtracks and You Can't Get There From Here, two engaging and original films that shed light on the invisible story of the Saharawi people. The screenings will be followed by a Q&A discussion with UK-based filmmakers Carolina Graterol, Daniel Petkoff, Peter Shields, and local Saharawi activists. Paula Beegan Haddad from the Cambridge African Film Festival will moderate the Q&A. This special awareness and fund raising event will help support our Desert Voicebox project - an after school programme that is providing music and English language education for Saharawi children in the refugee camps, and is training local women to teach and run it. Our fundraising goal of £1500 will help cover our running costs for the next Autumn semester. People are invited to visit us in the gallery space prior to the film screenings, from 5pm, to enjoy desert hospitality with members of the Saharawi community and be tempted by yummy baked nibbles, Saharawi handicrafts, raffle prizes, merchandise donated by Ottolenghi and a chance to bid on great artwork in a silent auction. We are deeply indebted to ActOne Cinema for enabling us to host this event at their beautiful historic venue and for giving us exhibition space to feature photography of the region and Saharawi artwork from May 30 to June 9th. The films: Sandtracks (22min, 2022): This is an intimate look into Sandblast founder Danielle Smith’s mission to bring the unknown struggle of the Saharawi people for self-determination to wider attention. Featuring fascinating interviews with Danielle and Saharawi refugees, filmmaker Carolina Graterol tells this story about how people from such different cultures find common ground and unity. You Can't Get There from Here (90min, 2022): In 2018, filmmakers Daniel Petkoff and Peter Shields set out to cross the Sahara desert on a mission to deliver a shipment of prosthetic limbs to the amputee unit at the Banjul hospital in Gambia. While travelling through Western Sahara they meet underground Saharawi activists living under Morocco’s occupation there. This encounter provides a chilling insight into the decades of repression endured by the indigenous Saharawis in pursuit of their independence dreams. Seats are limited, so get your ticket now through Eventbrite. Suggested donation £10. And keep an eye on your inbox as we will be sharing more details about the event in the coming weeks! Get TicketsDesert Voicebox Updates Celebrating February 27 Months of dedicated training given by Embarca Zeyu in traditional Saharawi dance and music, and lots of hard work done by our Desert Voicebox students, paid off in the impressive performance they gave, on February 27, to celebrate their national holiday. On this date, 46 years ago, the Polisario Front self-proclaimed the creation of the Saharawi Arab Democratic Republic (SADR) in 1976. The SADR is currently recognised by over 40 countries world-wide and is a full member state of the African Union. Watch the highlights from their performance and listen to their message to the world in the 3 minute video below - it's well worth watching from start to finish! Cultural exchange between Saharawi and Welsh students Between March 14 and April 1, our Desert Voicebox students and Welsh children at St. Illtyd Primary School in Wales exchanged videos, photos and artwork to learn about each other's lives and cultures, ask questions, share stories and make friends. A big thank you to teachers Leah Downie at St. Illtyd and Nicole, Tekween, Fatimetu and Nanaha for their important role in enabling this child-to-child cultural exchange to happen. Below are a few examples of images that were exchanged- traditional Saharawi clothing and designs and words and images about the lush Welsh landscape -quite the contrast from the Sahara desert! "Our country is very beautiful because it rains a lot which makes everything green. And there's more sheep than people!" - Year 2 Welsh students South African link We are delighted to be embarking on a new partnership with South Africa thanks to Patrick Rankhumise, the political counsellor for South Africa based in Algiers. He visited our students and teachers at Desert Voicebox during his trip to the camps, in February, and invited our English teachers- Nanaha and Tekween- to participate in the teacher training workshop he gave in Camp Ausserd, on using music to teach English. The positive outcome of both instances set the stage for building further support and exchanges between Desert Voicebox and South Africa in the future, which we are all excited about. Please view below a video clip of Patrick's time at Desert Voicebox. Pre-Ramadan picnic Just before the start of the holy month of Ramadan, on 1 April, Sandblast had the great pleasure of treating everyone at Desert Voicebox to a special picnic outing at a nearby oasis, only half an hour away from our learning centre. There for several hours the children and teachers enjoyed playing games, singing, eating chicken and even cooling off in a shallow water pool! Ramadan Mubarak to you and your loved ones from all of us at Sandblast! Sandblast Returning to the Camps! After more than two long years, Sandblast founder Danielle Smith, and trustees Beccy Allen and Carolina Graterol, will finally be able to travel to the Saharawi refugee camps, in May, to visit the Desert Voicebox project in camp Boujdour and offer on-the-ground support. They will be joined by Anastasia Oleinik, a Barcelona-based musician, who has been a virtual volunteer with Sandblast for over a year, providing training in musicality to our Desert Voicebox teachers. During her first-ever visit to the camps, she will deliver a 3 week creativity workshop for the children and provide more training. Ana has recently set up a fundraiser to purchase materials to bring with her to the camps. If you wish to support her Check out her page.Western Sahara in the NewsUK Minister hosts UN Envoy for Western Sahara Lord Tariq Ahmad, the UK Minister of State Foreign Commonwealth & Development Affairs hosted Staffan de Mistura, the UN Personal Envoy for Western Sahara on March 28 to express the UK’s full support in re-starting the peace process. But some activists pointed out this lip service on Twitter, arguing that “the UK Government is working directly to undermine the work of the UN in Western Sahara by signing trade agreements with the Moroccan occupation authorities that include Western Sahara.” The UK also has a series of economic interests that link them to the occupation regime, with British multinationals engaged in a range of extractivist industries in the Western Sahara, including the UK-based Windhoist that is partnering with the Moroccan Royal Family’s green energy company, Nareva, to construct a series of wind farms across the occupied territories. Spain withdraws support for Western Sahara referendum In a radical U-turn, Spain has announced its decision to break with the United Nations’ position on Western Sahara and back the Moroccan autonomy plan for the former Spanish colony, effectively recognising Moroccan sovereignty claims over Western Sahara. The move has been widely denounced by the Polisario Front and various other NGOs and activist groups, who have called it " a new treason toward the Saharawi people". Thousands of Saharawi activists gathered to protest the move outside the Spanish Ministry of Foreign Affairs in Madrid on March 30. Sandblast stands in solidarity with the Saharawi people and has officially expressed its demands to the UK government to play a more active role in advocating for their right to a UN-brokered referendum for self-determination to be fulfilled. Read our full statement here. Saharawis challenge Siemens Gamesa over controversial wind project in Moroccan-occupied Western Sahara Hassana Aalia, a Saharawi with political asylum in Spain, attended the Spanish energy company’s annual general meeting to denounce its projects installing energy infrastructure for the Moroccan government in occupied Western Sahara. "To me, it is incomprehensible how a company like Siemens Gamesa, can take part in Morocco’s attempts to cement its occupation of my homeland, and even claim that your projects are somehow to our benefit - that is not for Siemens Gamesa to decide," Aalia stated to the company management. To learn more about how Siemens and other Western companies are ‘greenwashing’ Moroccan occupation, click here. In Case You Missed It ... Western Sahara Resource Watch has published its ninth-consecutive annual report on the companies involved in buying phosphates from occupied Western Sahara. It reveals how Mexico will soon take over India's role as the most important client of the territory's conflict mineral. Read more here. Spain's unsavoury connections with Western Sahara In a recent episode of the Sobremesa Podcast, hosts Alan McGuire and Eoghan Gilmartin discuss the links between Spanish Prime Minister Pedro Sanchez and Western Sahara, and how Spain’s recent recognition of Moroccan autonomy is related to Spain's monarchy and its history of occupation. The episode features an interview with Sahrawi journalist Nazha Elkhalidi about this complex geo-political issue. Listen here and read Gilmartin’s latest piece in The Tribune here. Support our work Tapping into the charitable spirit of the holy month of Ramadan, we would like to ask you to please consider donating to Sandblast.Your donation will help us to continue offering a unique opportunity for Saharawi refugee children and women to learn new skills through Desert Voicebox, enabling them to become empowered to express their culture, advocate for their rights and develop important international links.
Thank you! DONATE Volunteer, Volunteer, Volunteer! There are other vital ways of supporting us that do not involve donating. If you'd like to be involved with Sandblast, especially with our Desert Voicebox project and the events we organise, you can always think of volunteering. Please be in touch and we will send you a Volunteers Information Pack on how you can contribute with your time and skills. Volunteering lies at the heart of our ability to further our mission! Email us at: info@sandblast-arts.org And finally.....Our very best wishes for a happy and healthy long weekend! Please keep an eye on your inbox for more details about our June 6 fundraiser and other upcoming events. Please follow us on social media for more regular updates and help spread the word!
Throughout the past months, Desert Voicebox students have been honing their letter-writing skills, corresponding with children in London, Manchester and Romania. Today they are sending this love letter to you, our staunch supporters! If you also want to show them your love, and for the work Sandblast is doing through Desert Voicebox you can click below to go to our JustGiving campaign and help us go from £2909 to £3,000 by the end of today!   GEORGIA LOMAX THORPE shares her story and views about volunteering for the Desert Voicebox project in the camps, in early 2020, and running a 4 week long singing workshop with the Saharawi students there.1. How did you first hear about the Desert Voicebox education program in the Saharawi refugee camps and what made you want to volunteer your time and skills? "I already knew about Sandblast’s work setting up the school, Desert Voicebox, after travelling to the camps twice before in 2015 and 2016. I initially visited the camps on a delegation trip from the UK with youth organisation The Woodcraft Folk, to learn about the geo-political history of Western Sahara. I later returned to the camps to research Saharawi arts for my undergraduate dissertation, I believe it was after this trip I first heard about the Stave House in the Sahara programme that was being piloted in Boujdor at the time. I thought it was a fantastic idea, after seeing the harsh conditions Saharawis’ face living in the camp, with most of life being about survival, spaces for children to engage in art and gain creative skills were and are hard to come by. Children being born and brought up in the camps are critically in need of opportunities to escape the on-going plight of their society: a place to have fun and enjoy themselves. That’s why this Music and English programme is especially important to the children. Volunteering my time at Desert Voicebox as a singing facilitator was one way I could offer support to the Saharawi cause." 2. What activity did you run in the camps for Desert Voicebox? "I stayed in the camps for a month and ran singing and music sessions for the children. These sessions were to supplement the music theory and instrumental learning parts of the curriculum. In the month project we focused on developing pitch, harmony, group singing and performance skills. We did this through various vocal exercises, music games and learning songs together, all with the aim to help the students really embody the music: develop senses of melody and rhythm within their bodies and vocalise it. Another aspect of the work was to embed English learning into the music material, improving reading, vocabulary and pronunciation skills by learning songs in English. Even further from this, I encouraged the students to try writing their own lyrics to a song in English, Spanish and Hassaniya. This was a really amazing creative challenge for them, they responded with so much enthusiasm and engaged with the themes of the song with personal insight and poetic expression. All of the time they were gaining confidence and team-working skills which will help them in other aspects of their lives." 3. Had you previously taught students in similar circumstances? "Never. I had only ever delivered workshops to children and young people in the UK, who lived under very different circumstances and vastly different cultural contexts. There were many challenges when working with the children that I had never faced before, which made it all the more of a meaningful learning experience!" 4. What was your initial impression of the Desert Voicebox program? "My first impression was that the teachers are incredibly passionate and committed to the school. They care deeply about the children and their progress. The students adore the classes. The fact they choose to go in for more learning after a day of school says a lot. Its obvious the teachers have put in a lot of time creating consistency in the classes from week to week – the students know the expectations of them and they engaged politely and enthusiastically with the classes. When I arrived the class were absolutely brimming with excitement, which made me so pleased I was able to give them an exciting, new, fun experience. They obviously love interacting with visiting teachers, proving that overseas volunteering at the school is something that benefits them greatly. My other first impression was being incredibly impressed by the resourcefulness needed to set up and run the school on low budgets and difficulties transporting materials and technology." 5. How did your role evolve over the course of your time in the refugee camps at Desert Voicebox? "I knew that my expectations were going to change as I got to know the kids I was teaching. I definitely saw the need for me to use my time to not only teach singing, but offer lots of other fun activities, to give the children an enjoyable experience while I was there and not just have lessons like any other day! I also started to work with the teachers a little more to encourage them to sing, helping build their confidence in singing and show them they can use group singing more in their teaching." 6. Did you see a clear improvement in the student’s learning abilities over the course of your time in the camps at Desert Voicebox? "Helping children to develop a sense of pitch is a difficult thing to teach, because there is such a variation in natural ability across cohorts, meaning some children needed a long time to develop good vocal pitching, and others needed very little time. I saw an incredible improvement for those who struggled vocalising notes/melodies at the beginning of the month, but I didn’t see these changes happen until the very last week. I remember being so impressed with these students in the final days of my trip, seeing them be able to start to ‘click’ with singing was immensely rewarding. The other big improvements I saw was in all the students’ sense of confidence, presentation and performance skills. Many of them became comfortable singing on their own in front of the rest of the class, something that had been a struggle at the start. I think that really came from working on creating a space free from judgement of one another, I saw students supporting one anther more and more and the sense of team spirit really grew. That’s the result of group singing." 7. Can you share a personal story, where you witnessed either a student or teacher grow as a result of being part of Desert Voicebox? "There were so many! Personally it was amazing building a relationship with Tetu, one of the music teachers, who I stayed with in the camp. We worked together to plan the lessons, and we came up with the idea of setting the task of lyric writing for the kids. Once the students had handed in their lyric ideas, me and Tetu sat down together and went through them. Some were in English and Spanish (I speak a little Spanish) and some in Hassaniya, so we had to work together to translate the meanings of the lyrics, which was a really nice exchange. It was very emotional for us translating the lyrics, particularly for Tetu, as the children had written so beautifully and personally about the Saharawi struggle for self-determination. It was really moving seeing Tetu be so proud of her students. It was also really rewarding being able to help her develop new ideas and skills. There was one moment, when she had finished editing some of the words to make the rhyme scheme work perfectly while still maintaining the message of the lyric, when I saw her really surprise herself at her creativity. She was really proud of the work and we talked about how music education should encompass more than teaching notation, but be about stories, meanings and poetry too. I hoped that she could use those new perspectives on music within her future teaching." 8. What were some of the challenges faced while teaching there? The biggest challenge was coping with the language barrier. In the time it takes for every piece of information to be translated from what I say to the students’ ears, many of them can get distracted. So managing to keep their attention while the teachers listened and translated was a big challenge. I had to adapt a lot of my teaching material, games and exercises to be able to be understood very quickly in a non-verbal manner. Although it was challenging, it is really important for the students to be exposed to native English speakers, to help support their learning of the language. 9. If you had to explain the Desert Voicebox to someone who was unaware of the program or the importance of the program in the educational development of both the Saharawi students or teacher. What would you say in one to three sentences? "Desert Voicebox gives a group of refugee children the chance to do more than just survive. It provides them relief from the long-term limbo of living in the camps as well as creative skills they will use for life." 10. What was your biggest takeaway from your experience teaching there? "To appreciate that education is a powerful force. And that we in the UK have access to so many resources, people and funds to support our own education system, we should be applying those better to improve the quality of education for all."  Georgia with her host Tetu and her sister Nana. 12. What was your experience of living with a Saharawi host family and being immersed in the community? "It was a very special experience living with Tetu and her family. I had stayed with Saharawi families before, but never for such a long period of time. In the camps in the desert, time can move very slowly. You have to adjust your approach to life, slow down, and not feel the pressure to constantly be doing something! Tetu and her family were extremely welcoming and kind to me, and they loved sharing parts of their culture and daily life with me. The sense of community within the camps is unparalleled, neighbours share spaces with one another in ways that would seem very strange in parts of the UK and Europe." 13. How did you personally grow as a result of your experience? I learned a lot about patience, and allowing things to happen at their own pace. I also found myself becoming more spontaneous within the classes, responding to what was happening in the room intuitively and working off plan when it happened naturally. From this I definitely learned to trust my own instincts when delivering workshops, and that I didn’t need to plan every detail. When I returned I also saw a little clearer some of the absurdities of what we do to be happy in modern western life, it definitely made me think about the things in my own life that were actually completely unnecessary for my own happiness. I also got a bit better at making Saharawi tea (although nowhere near perfected it). 14. In the context of the Saharawi conflict, what stood out for you about the Desert Voicebox initiative? "The Saharawis understand the importance of arts, languages and cultural education, but much of the time they have been forced to prioritise the essentials due to the economic toll of the struggle. These are communities living on food aid packages – a lot of the time there simply aren’t the funds or resources to run arts activities. Not to say the Saharawis haven’t set up such ventures in spite of this, but it’s an area where international charities can really help. Desert Voicebox is unique because it provides both language and music education side by side, each supporting the other. English language skills are becoming more and more important, opening up opportunities for the students’ to live and work abroad in the future. Music education has a massive range of benefits, and provides a unique skill that many Saharawi children will never have access to." 15. What is your impression of the role the Desert Voicebox programme plays in the lives of both the Saharawi children and teachers? "It gives both teachers and children a real sense of purpose, having something to really care about, to love doing. It’s a huge part of their lives. The teachers receive vital training that gives them so many new skills and they are working to implement alternative teaching methods, compared to more traditional methods used in schools in the camps. Desert Voicebox really is an oasis in the camp. The children have so much fun in the classes and it’s a space for them to grow in ways they aren’t able to in their normal school curriculum. The curriculum offered at Desert Voicebox is all about giving the kids a voice, so they can grow up to be confident in voicing their world view." 16. What are your hopes or aspirations for the Desert Voicebox program going forward? "That it grows and grows! Getting more teachers trained is key, so there can be more classes and more children can be engaged. It would be great to see the school expanded even further, or even more Desert Voicebox schools set up in the other camps as well as Boujdor." 17. How do you remain connected to Desert Voicebox, since leaving the camps? "It is so easy to quickly forget what life is like in the camps when you return home and settle back into the western lifestyle. Its so important to keep talking about the situation in Western Sahara here in the UK, the more people are aware of the situation, the stronger the international campaign. I love seeing the continued work happening at Desert Voicebox through Instagram and newsletters, it makes me really happy to see other overseas volunteers visit the school. Until I can next visit the camps, it is really exciting hearing about the plans to grow the school and hope I can continue to support the work in small ways."  Click on image to hear Georgia on her last day in the camps, in Feb 2020, talking about her experience of volunteering.  They are the engine running Desert Voicebox from the ground, managing all the local aspects and teaching, so far, 3 out of the 4 levels of the programme. Two of them teach English, the other two, music, but they work together as a team and help each other whenever necessary. They are learning at the same time as working, getting their professional training through intensive workshops and online lessons, and truly devoting themselves to their students and the project. Here they briefly introduce themselves, showing off their English language skills!
I have loved all the volunteers who have contributed to our knowledge. I also thank the teachers who have participated in our distance education in the past months. It was a great opportunity to learn for me. I thank everyone who supports this project for letting it progress. I hope the project arrives to all the Sahrawi children in the refugee camps.
Distance learning has been a really beneficial experience so far, and I hope that the summer training rounds for the teachers will increase. Finally, I would like to extend my special thanks to those who stayed up and helped from near or far to complete this project and bring smiles to the faces of innocent children.
I wasn't lucky enough to be able to continue my education until university! My grandmother isn't a big fan of education and she was responsible for me; she always said "girls shouldn't go far from home for long time! It's good enough that you can read and write your name"! I didn't and couldn't give up! I found ways to study in the camps and joined every course here run by kind and loving friends of the sahrawis who are helping the sahrawi refugees in many different ways. In the camp I studied Spanish and English, and I am now still working on my English through DESERT VOICEBOX. I thank all the people who are behind this program. I love teaching English!
school as a sports coach and during my work, I had the opportunity to learn about Desert Voicebox. One day, one of the volunteers came searching for a new teacher and he interviewed me and some other teachers from my school, and after some days I got the news that I had been selected! I was very happy and slowly I have become better and better at my new job with a lot of effort. I thank everyone who has given me training and advice, and all those in charge of the Desert Voicebox.
 A brief intro by Violeta Ruano, Desert Voicebox Project Manager Beccy Allen is a long-term friend of Sandblast, and an even longer-term friend of the Saharawis. She has travelled to the occupied territories of Western Sahara to learn and inform about the situation there, has been a key part of numerous human rights campaigns in support of the Saharawi struggle, and been a few times to the Saharawi refugee camps, always involved with the community in diverse ways. In 2017, she decided to spend 6 months in the camps to teach English to the kids of our nascent project Desert Voicebox (Stave House in the Sahara back then), among other things, and she has remained in the hearts of all the projects' participants ever since (quite literally, since she has returned to run workshops and assessments a few times already!). Kind, high-spirited and proactive, Beccy is definitely one of our best ambassadors! Here she shares briefly her experience, but if you want to learn more about her journey you can always check her personal blog here. Happy reading (and please share)!
I'd wanted to volunteer abroad for a long time, but my interests and skills didn't seem to align to point me in an obvious direction. I started getting involved in Western Sahara solidarity and suddenly, I realised I'd inadvertently been preparing for volunteering with Desert Voicebox for a long time. My desire to be on the African continent; my interest to immerse myself in an Islamic culture; my Spanish speaking. Finally, it all made sense. And with the chance to take a one-year sabbatical from my job in the UK, I headed off for a six-month stay in the Saharawi Refugee Camps for an opportunity to put my project management and creative education experience to good use. I was welcomed into a family and a community and soon became part of things - taking my turn to do daily chores and earning my keep as well as building new family and friendship ties that will last a lifetime. The whole experience was a hugely challenging but ultimately rewarding one, which threw me out of my comfort zone and got me problem-solving and adapting like never before. I became a teacher, and the love the children showed me and seeing them flourish in English and music made each and every day a joy. Working alongside some brilliant Saharawi women who have learnt new skills through the programme and are applying them to help build the potential of the children in the camps left me humbled. I am proud to have played a small role in the development of Desert Voicebox. Providing creative education to the Saharawi children is imperative and inspiring in equal measure. With the help of more volunteers the programme can continue to go from strength to strength and enable more Saharawi children to thrive.  |
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